Tag Archives: AGO Toronto

Momentum

Single work of art – be it a visual piece like painting or sculpture, or rather physical like dance or theatre – is not alive till the viewer sees it and, by analysing (often unconsciously) starts interpreting it. The painter might have a certain meaning for his entire work, however, as an audience, we usually only take small, separate details out of it. The more we analyze the painting, the less it stays the whole for us — the more it breaks into pieces, each having its own meaning and interpretation. One could say that a viewer develops the work of art further, into its “life.”

These details and tiny moments worth of second that we notice, sometimes can be discovered in newer works and can show the whole piece in completely new light..

The following represents one such intimate experience of mine with works of art, particularly Henry Moore sculptures and dancer Benjamin Kamino performance of Nudity. Desire – long drawn.

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